Film Screening and Artist Talkback

a 15-minute glimpse into the evolution of Keeper of Sadness followed by a convsertaion with director and choreographer Jade Solomon Curtis and KOS collaborators.

Saturday, January 13th at 12:00 PM

Yamaha Artist Services

689 5th Avenue, New York, NY 10022

a work in progress showing

What does it means to carry, clutch, cradle, encompass, enfold, engulf, shoulder, subsume, and support?

Sunday, January 14th at 9:00 PM

Ailey Citigroup Theater

405 W 55th St, New York, NY 10019

NO RSVP REQUIRED

Keeper of Sadness (KOS) is a work-in-progress showing that is part of an ongoing exploration of expansive and versatile dance production incorporating various artistic and healing mediums. KOS delves into the profound and lasting impacts of transgenerational trauma, pervasive stereotypes, and the erasure of Black women’s contributions to the lives of countless others. KOS endeavors to provide a platform for the anguish that has long resided within the depths of numerous disregarded Black women throughout history. These women, often forced to stifle their pain to survive, have endured the burden of genetically recycled trauma without the means to release it. Through this artistic endeavor, KOS seeks to shed light on this narrative and offer a channel for the cathartic expression and recognition of their experiences.

“Black women are often alone in their grief because they are socialized to be strong and stoic, and therefore perpetuate the stereotypical “strong Black woman” trope. The need to be strong and stoic is dangerous for Black grieving women because it is incredibly difficult to acknowledge the need for help.” - Stacy Scott, Ph.D., MPA.

Movement I: The Unraveling

The first movement of KOS evokes Curtis’s powerful memory of watching maternal figures (mothers, grandmothers, and aunties) prepare for church or a night out. These women presented their best selves while having to conceal the unraveling happening beneath. Performed Thursday, September 7th, by Akoiya Harris and Nia Amina-Minor.

Movement II: The Grief

Building upon the preceding narrative, the performer navigates through the five stages of Black grief, as identified by Stacy Scott: despair, self-blame, move to action, endurance, and survival. The artist weaves in and out of these emotional stages, offering a poignant exploration of the complex journey toward healing and resilience in the face of adversity.

Movement III: The Joy

The third movement explores the Black Church’s profound impact on Black Women’s experience. Growing up in Texas, the Southern Church was a significant part of Curtis’s foundation. Within those walls, she experienced profound gratitude and wept tears that helped her find a connection between her joy and pain. Today, the closest parallel she finds to that triumphant feeling resides in house music.

Featured Artist: Akoiya Harris (Research Consultant), Arif Gursel (Composer and Documentarian), Cristina Orbe (Workshop Facilitator), Jade Solomon Curtis (Director and Choreographer), Jessica Pinkett (Dance Artist), Maria Boxill (Mental Health Counselor), Michele Dooley (Dance Artist), Nia Amina-Minor (Dramaturg) Nile Ruff (Dance Artist).